A painting showing two women clad in kimono enjoying
a cool evening by the lakeside. Back then, paintings showing Japanese women in kimono were popular and touted as an exemplar of Japanese feminine beauty.
Aimitsu's self-portrait at 37 years old. The unique characteristic of his self-portraits is how he tend to paint himself squinting his eyes, looking intently into the distant, as if transfixed at a point.
Unlike Fujita's other action-packed war paintings, this one is more tranquil. It shows a Japanese soldier entering the house of a luxurious Dutch-owned house in Indonesia, whose owners have tied up their black servant and abandoned her while they…
"Refugees" is a life-sized scroll that portrays the suffering of Chinese denizens during the Sino-Japanese war. It came out near the end of the war in 1943, and is an artistic plea for a ceasefire between China and Japan. One of Jiang's best skills…
Side-profile of a woman in traditional Chinese dress and attire holding an orchid. Through this painting, Fujishima aims to create his idealized portraiture of "oriental beauty." For such an image, he proposes three crucial components: Chinese…
A painting that was displayed along with "Good Day" at the Futen exhibitions. Just like Good Day, it features Lin's wife and child, and promotes nationalistic ideal of womanhood.
A painting of a sailboat at sea in front of a rising sun. This seemingly tranquil image hides a subtle message of Japanese hegemony and ambitions across the Pacific.