<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/82">
    <dcterms:title><![CDATA[Portrait of Sakutarō Hagiwara ]]></dcterms:title>
    <dcterms:subject><![CDATA[「氷島」の著者（萩原朔太郎像）(「Hyōtō」no Chosha: Hagiwara Sakutarō zou)]]></dcterms:subject>
    <dcterms:description><![CDATA[This print is dedicated to Onchi&#039;s friend of 20 years, famous modern Japanese poet Hagiwara Sakutarō. It was created one year after Hagiwara&#039;s death in 1942. In this print, Onchi illuminates the life-long hard work and anguish that Hagiwara endured through the wrinkles on his face and his solemn expression. Today, it&#039;s seen as one of the finest exemplars of the &quot;Sōsaku Hanga&quot; (Creative Print) movement in Japan]]></dcterms:description>
    <dcterms:creator><![CDATA[Onchi Kōshirō (恩地孝四郎)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 18 (1943)]]></dcterms:date>
    <dcterms:format><![CDATA[56.2 x 43.8 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Color Woodcut]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/83">
    <dcterms:title><![CDATA[At Ruin--Allegory No. 3]]></dcterms:title>
    <dcterms:subject><![CDATA[アレゴリーNo.3 廃墟 (Aregori--No.3 Haikyo)]]></dcterms:subject>
    <dcterms:creator><![CDATA[Onchi Kōshirō (恩地孝四郎)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shõwa 23 (1948)]]></dcterms:date>
    <dcterms:format><![CDATA[50.5 × 40.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Color Woodcut]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/59">
    <dcterms:title><![CDATA[On the Steps ]]></dcterms:title>
    <dcterms:subject><![CDATA[階段にて ( kaidan-nite)]]></dcterms:subject>
    <dcterms:description><![CDATA[There are many repetitions and multiplications in this painting. Waves are flowing like water that washes away or traps the figures with glasses. Steps and waves are the motifs that Nakamura repeatedly applies.]]></dcterms:description>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:format><![CDATA[90.5 x 181.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[oil on plywood]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/80">
    <dcterms:title><![CDATA[Hiroshima Panels]]></dcterms:title>
    <dcterms:subject><![CDATA[原爆の図 (Genbaku no Zu)]]></dcterms:subject>
    <dcterms:creator><![CDATA[丸木位里 (Maruki Iri) and 赤松俊子 (Akamatsu Toshiko)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 25 (1950)]]></dcterms:date>
    <dcterms:format><![CDATA[Individual Panel: 1.8 x 7.2 m (30 total)]]></dcterms:format>
    <dcterms:type><![CDATA[Screen-painting, Pigments on Silk<br />
]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/81">
    <dcterms:title><![CDATA[The Battle of Okinawa ]]></dcterms:title>
    <dcterms:subject><![CDATA[沖縄戦の図 (Okinawa-sen no Zu)]]></dcterms:subject>
    <dcterms:creator><![CDATA[丸木位里 (Maruki Iri) and 赤松俊子 (Akamatsu Toshiko)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 59 (1984)]]></dcterms:date>
    <dcterms:type><![CDATA[Screen-painting, Pigments on Silk]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/110">
    <dcterms:title><![CDATA[Hiroshima Peace Memorial Park  ]]></dcterms:title>
    <dcterms:subject><![CDATA[広島平和記念公園 (Hiroshima Heiwa Kinen Kō-en)]]></dcterms:subject>
    <dcterms:description><![CDATA[Out of the multiple design proposals for Hiroshima Peace Memorial Park, it was Kenzō Tange&#039;s design that is chosen in the end. Tange&#039;s architecture plans is a mixture of modernist design and Japanese tradition. For example, the cenotaph in front of the exhibition hall is based on prehistoric Japanese &quot;haniwa&quot; ceramics. This turn towards traditions is a continuation of the wartime &quot;tradition debate&quot; in Japanese architecture, where architects debate on ways to implement traditional Japanese architectural characteristics in modern buildings as a celebration of Japanese imperialism. By the postwar period, architects began to look toward the more distant prehistoric past of Japan for inspiration as a justification of implementing Japanese conventions without the imperialistic implications.<br />
<br />
The exhibition hall, on the other hand, utilizes modern designs and shows great influence from famous architect Corbusier]]></dcterms:description>
    <dcterms:creator><![CDATA[丹下健三 (Tange Kenzō)]]></dcterms:creator>
    <dcterms:date><![CDATA[昭和27 (Showa 27)]]></dcterms:date>
    <dcterms:format><![CDATA[N.A]]></dcterms:format>
    <dcterms:type><![CDATA[Architecture]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/86">
    <dcterms:title><![CDATA[New Widow: At the Hōten Internment Camp ]]></dcterms:title>
    <dcterms:subject><![CDATA[新しい寡婦　奉天收容所にて (Atarashii Kafu Hōten Shyūyōjo nite)]]></dcterms:subject>
    <dcterms:description><![CDATA[Part of the &quot;祖国への旅&quot; series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2]]></dcterms:description>
    <dcterms:creator><![CDATA[北岡文雄 (Kitaoka Fumio)<br />
]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 22 (1947)]]></dcterms:date>
    <dcterms:format><![CDATA[19.5 x 17.0 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Woodblock Print]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/102">
    <dcterms:title><![CDATA[Orphan waiting for food]]></dcterms:title>
    <dcterms:subject><![CDATA[ 給食を待つ孤児 (Kyūshoku wo matsu Minashigo)]]></dcterms:subject>
    <dcterms:description><![CDATA[Part of the &quot;祖国への旅&quot; series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2]]></dcterms:description>
    <dcterms:creator><![CDATA[北岡文雄 (Kitaoka Fumio)<br />
]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 22 (1947)]]></dcterms:date>
    <dcterms:format><![CDATA[13.2 X 11.2cm]]></dcterms:format>
    <dcterms:type><![CDATA[Woodblock Print]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/84">
    <dcterms:title><![CDATA[Mother and Child: The Way from Renzankan of Hōten]]></dcterms:title>
    <dcterms:subject><![CDATA[ 母と子　連山関から奉天に向う (Haha to ko: Renzankan kara Hōten ni mukau)]]></dcterms:subject>
    <dcterms:description><![CDATA[Part of the &quot;祖国への旅&quot; series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2]]></dcterms:description>
    <dcterms:creator><![CDATA[北岡文雄 (Kitaoka Fumio)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 22 (1947)]]></dcterms:date>
    <dcterms:format><![CDATA[27.5 x 19.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Woodblock Print]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/85">
    <dcterms:title><![CDATA[Washing Legs: At the Hōten Internment Camp ]]></dcterms:title>
    <dcterms:subject><![CDATA[足を洗う　奉天收容所にて (Ashi wo arau   Hōten Shyūyōjo nite)]]></dcterms:subject>
    <dcterms:description><![CDATA[Part of the &quot;祖国への旅&quot; series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2]]></dcterms:description>
    <dcterms:creator><![CDATA[北岡文雄 (Kitaoka Fumio)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 22 (1947)]]></dcterms:date>
    <dcterms:format><![CDATA[27.5 x 19.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Woodblock Print]]></dcterms:type>
</rdf:Description></rdf:RDF>
