1 10 23 https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/f43991e771c07f0bb63d27851f96f33e.jpg 275e5a65f5df0204e176adc82a03b660 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource 「氷島」の著者（萩原朔太郎像）(「Hyōtō」no Chosha: Hagiwara Sakutarō zou) Title A name given to the resource Portrait of Sakutarō Hagiwara Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 18 (1943) Format The file format, physical medium, or dimensions of the resource 56.2 x 43.8 cm Type The nature or genre of the resource Color Woodcut Creator An entity primarily responsible for making the resource Onchi Kōshirō (恩地孝四郎) Description An account of the resource This print is dedicated to Onchi's friend of 20 years, famous modern Japanese poet Hagiwara Sakutarō. It was created one year after Hagiwara's death in 1942. In this print, Onchi illuminates the life-long hard work and anguish that Hagiwara endured through the wrinkles on his face and his solemn expression. Today, it's seen as one of the finest exemplars of the "Sōsaku Hanga" (Creative Print) movement in Japan Onchi Kōshirō https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/755b2d619d77a308af2432f5e0f35be4.jpg a14cb8c6b616e880a46d98afb0f87793 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At Ruin--Allegory No. 3 Subject The topic of the resource アレゴリーNo.3 廃墟 (Aregori--No.3 Haikyo) Creator An entity primarily responsible for making the resource Onchi Kōshirō (恩地孝四郎) Date A point or period of time associated with an event in the lifecycle of the resource Shõwa 23 (1948) Format The file format, physical medium, or dimensions of the resource 50.5 × 40.5 cm Type The nature or genre of the resource Color Woodcut https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/ab8b17ac2d17fdd58cbae84c47ce5b40.jpg 9b030c06c2d9725f88084339d36d16a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On the Steps Subject The topic of the resource 階段にて ( kaidan-nite) Creator An entity primarily responsible for making the resource 中村宏 (Nakamura Hiroshi) Format The file format, physical medium, or dimensions of the resource 90.5 x 181.5 cm Type The nature or genre of the resource oil on plywood Description An account of the resource There are many repetitions and multiplications in this painting. Waves are flowing like water that washes away or traps the figures with glasses. Steps and waves are the motifs that Nakamura repeatedly applies. https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/a512856a49cdadc031714ec90d1dc94f.jpeg 8b5ac403aa631fae8272baac4c2c1270 https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/242904eeb9533c44a6a5995b6da38511.jpeg 567e2ca856ee4f20b239ad48dd755cad https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/383030077b5944dbe9b8feaf78913c30.jpeg a78b94d2caa530a2a05c5295a6913197 https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/af7698486f89deee7dbbbe686ab4203b.jpeg eeb87337c669f692b656a21305e6bd4b https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/5081f155f1dfec6a475b17a77060af42.jpeg b4e3edea6ce133eb11e7789ad5e4476a https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/81c416b9c8a39c29ede4fc4e791f8432.jpeg 14c67731b9ca8af8bb9593b6fb66d97a https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/09ce376ed7cbf0c6f1be1df33950928d.jpeg e93d77e1ddb1f5e75bb67bd9d03c3e13 https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/f10a514608858578b4a0c77d30267050.jpeg 82473d3092ee1c713ae3e528a3f2188c https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/c019986532181b0c04a793ee1289c30b.jpeg 4f3e2f7c9e529ae62413a20af5180523 https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/91782c7453ace533f515dc825de12e04.jpeg 28e9e4f70df14c0a3f39495118b60e19 https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/4e06526b9e2549b2efb65a3a7534328a.jpeg d1675a4da7ff008f8945d0e126be93d1 https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/b4e5b51ec9c8cf07f6357e26e7bf3b39.jpeg 43eb7cc509dd4d017ee51a437e58f767 https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/1c1a3fc369e3124b73c3fd274f8ba045.jpeg ce24216740d679739cbd5ec344326965 https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/3f634152301bd7e1a9fa1cd8bb976c9f.jpeg 32346e2b3dc088c1272ad15124302e44 https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/d4d003a552d9618c5db4d7e0ce2af7cc.jpeg bfb8bdf07a55bbbcb709016e966b2260 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hiroshima Panels Subject The topic of the resource 原爆の図 (Genbaku no Zu) Format The file format, physical medium, or dimensions of the resource Individual Panel: 1.8 x 7.2 m (30 total) Type The nature or genre of the resource Screen-painting, Pigments on Silk Creator An entity primarily responsible for making the resource 丸木位里 (Maruki Iri) and 赤松俊子 (Akamatsu Toshiko) Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 25 (1950) Akamatsu Toshiko (Maruki Toshi) Maruki Iri https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/a69172bc33499c4beb12187f25b53051.jpeg ce6bed16aee4539694134462c2ea0be7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Battle of Okinawa Subject The topic of the resource 沖縄戦の図 (Okinawa-sen no Zu) Creator An entity primarily responsible for making the resource 丸木位里 (Maruki Iri) and 赤松俊子 (Akamatsu Toshiko) Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 59 (1984) Type The nature or genre of the resource Screen-painting, Pigments on Silk Maruki Iri https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/400d12db565c2f4a4efbaa9fba6da278.png cd9e70a0b55696a6c4ce3e9bce2a43a2 https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/d25c661b6ae949aa0645255e320ce7d6.png 5affde8cd06903a9e8865ff05764bb31 https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/a613e248fbc52b0ad2eb861572845a38.png 230a154388791f64bf909bb566f89406 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hiroshima Peace Memorial Park Creator An entity primarily responsible for making the resource 丹下健三 (Tange Kenzō) Type The nature or genre of the resource Architecture Subject The topic of the resource 広島平和記念公園 (Hiroshima Heiwa Kinen Kō-en) Description An account of the resource Out of the multiple design proposals for Hiroshima Peace Memorial Park, it was Kenzō Tange's design that is chosen in the end. Tange's architecture plans is a mixture of modernist design and Japanese tradition. For example, the cenotaph in front of the exhibition hall is based on prehistoric Japanese "haniwa" ceramics. This turn towards traditions is a continuation of the wartime "tradition debate" in Japanese architecture, where architects debate on ways to implement traditional Japanese architectural characteristics in modern buildings as a celebration of Japanese imperialism. By the postwar period, architects began to look toward the more distant prehistoric past of Japan for inspiration as a justification of implementing Japanese conventions without the imperialistic implications. The exhibition hall, on the other hand, utilizes modern designs and shows great influence from famous architect Corbusier Date A point or period of time associated with an event in the lifecycle of the resource 昭和27 (Showa 27) Format The file format, physical medium, or dimensions of the resource N.A atomic bomb Tange Kenzō https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/1a780f8b4c7ba0bc00487e27877cc9c9.png 0775cd3b670a663d383e7c06f62a441e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Widow: At the Hōten Internment Camp Subject The topic of the resource 新しい寡婦　奉天收容所にて (Atarashii Kafu Hōten Shyūyōjo nite) Creator An entity primarily responsible for making the resource 北岡文雄 (Kitaoka Fumio) Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 22 (1947) Format The file format, physical medium, or dimensions of the resource 19.5 x 17.0 cm Type The nature or genre of the resource Woodblock Print Description An account of the resource Part of the "祖国への旅" series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2 https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/eff365068a32fe1150b687c6df5e60dd.png 2c6086861a22ae53adafeee06a9f6b20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orphan waiting for food Subject The topic of the resource 給食を待つ孤児 (Kyūshoku wo matsu Minashigo) Description An account of the resource Part of the "祖国への旅" series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2 Creator An entity primarily responsible for making the resource 北岡文雄 (Kitaoka Fumio) Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 22 (1947) Format The file format, physical medium, or dimensions of the resource 13.2 X 11.2cm Type The nature or genre of the resource Woodblock Print https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/553ab1f16e753c243459e44534090159.png 218fa4acaafeacd8713b87df6a0f188d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Child: The Way from Renzankan of Hōten Type The nature or genre of the resource Woodblock Print Format The file format, physical medium, or dimensions of the resource 27.5 x 19.5 cm Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 22 (1947) Creator An entity primarily responsible for making the resource 北岡文雄 (Kitaoka Fumio) Subject The topic of the resource 母と子　連山関から奉天に向う (Haha to ko: Renzankan kara Hōten ni mukau) Description An account of the resource Part of the "祖国への旅" series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2 https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/f7e66052d35c023a891512c6d13d8796.png 7bdde1f7363694a9ec738fb6c6b63f31 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Washing Legs: At the Hōten Internment Camp Creator An entity primarily responsible for making the resource 北岡文雄 (Kitaoka Fumio) Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 22 (1947) Format The file format, physical medium, or dimensions of the resource 27.5 x 19.5 cm Type The nature or genre of the resource Woodblock Print Subject The topic of the resource 足を洗う　奉天收容所にて (Ashi wo arau Hōten Shyūyōjo nite) Description An account of the resource Part of the "祖国への旅" series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2 Kitaoka Fumio