<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/124">
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/121">
    <dcterms:title><![CDATA[Modern Japanese Timeline]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/114">
    <dcterms:title><![CDATA[Children&#039;s Peace Monument]]></dcterms:title>
    <dcterms:subject><![CDATA[原爆の子の像 (Genbaku no Ko no Zō)]]></dcterms:subject>
    <dcterms:description><![CDATA[This sculpture is a memorial to all the child victims of the atomic bomb and also a specific commemoration to the story of Sadako Sasaki.<br />
<br />
Sadako Sasaki was a 2 year old girl living in Nagasaki when the atomic bomb dropped on the city, and she suffered from radiation poisoning. Before her death at the age of 12, she attempted to fold 1000 paper cranes due to a popular Japanese legend that doing so will grant one wish and bring good fortune. She died before she can finish 1000 cranes and her story became one of the most well-known tragic tale associated with the atomic bomb. Today, people still leave paper cranes in front of the monument]]></dcterms:description>
    <dcterms:creator><![CDATA[菊池一雄 (Kikuchi Kazuo)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 33 (1958)]]></dcterms:date>
    <dcterms:format><![CDATA[Unknown]]></dcterms:format>
    <dcterms:type><![CDATA[Bronze and concrete sculpture]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/113">
    <dcterms:title><![CDATA[Bronze Statue of Yamagata Aritomo]]></dcterms:title>
    <dcterms:subject><![CDATA[ 山県有朋銅像 (Yamagata Aritomo Dōzō) ]]></dcterms:subject>
    <dcterms:description><![CDATA[A bronze statue of Field Marshal Yamagata Aritomo by Kitamura Seibō, unveiled near the Imperial Diet Building in 1929. Today, it was moved to Hagi in Yamaguchi prefecture due to its controversial imperialist connotations. ]]></dcterms:description>
    <dcterms:creator><![CDATA[北村西望 (Kitamura Seibō)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 4 (1929)]]></dcterms:date>
    <dcterms:format><![CDATA[Unknown]]></dcterms:format>
    <dcterms:type><![CDATA[Bronze statue]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/112">
    <dcterms:title><![CDATA[Nagasaki Peace Memorial]]></dcterms:title>
    <dcterms:subject><![CDATA[長崎平和祈念像 (Nagasaki Heiwa Kinen-zō)]]></dcterms:subject>
    <dcterms:description><![CDATA[Serving as the centerpiece of Nagasaki Peace Memorial Park, this 13-meter tall bronze statue by Seibo Kitamura has various symbolism in its gestures. The right hand pointing toward the sky represent the threat of nuclear weapons coming from the sky. The left hand outstretched horizontally represent peace across the whole world. Additionally, the serene looking face with closed-eyes is a representation of a prayer to the lives lost in the Nagasaki bombing. <br />
<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[北村西望 (Kitamura Seibō)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 30 (1955)]]></dcterms:date>
    <dcterms:format><![CDATA[Height: 13 meters]]></dcterms:format>
    <dcterms:type><![CDATA[Bronze statue]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/110">
    <dcterms:title><![CDATA[Hiroshima Peace Memorial Park  ]]></dcterms:title>
    <dcterms:subject><![CDATA[広島平和記念公園 (Hiroshima Heiwa Kinen Kō-en)]]></dcterms:subject>
    <dcterms:description><![CDATA[Out of the multiple design proposals for Hiroshima Peace Memorial Park, it was Kenzō Tange&#039;s design that is chosen in the end. Tange&#039;s architecture plans is a mixture of modernist design and Japanese tradition. For example, the cenotaph in front of the exhibition hall is based on prehistoric Japanese &quot;haniwa&quot; ceramics. This turn towards traditions is a continuation of the wartime &quot;tradition debate&quot; in Japanese architecture, where architects debate on ways to implement traditional Japanese architectural characteristics in modern buildings as a celebration of Japanese imperialism. By the postwar period, architects began to look toward the more distant prehistoric past of Japan for inspiration as a justification of implementing Japanese conventions without the imperialistic implications.<br />
<br />
The exhibition hall, on the other hand, utilizes modern designs and shows great influence from famous architect Corbusier]]></dcterms:description>
    <dcterms:creator><![CDATA[丹下健三 (Tange Kenzō)]]></dcterms:creator>
    <dcterms:date><![CDATA[昭和27 (Showa 27)]]></dcterms:date>
    <dcterms:format><![CDATA[N.A]]></dcterms:format>
    <dcterms:type><![CDATA[Architecture]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/107">
    <dcterms:title><![CDATA[Model for the Memorial to the Dead of Hiroshima ]]></dcterms:title>
    <dcterms:description><![CDATA[Noguchi&#039;s planned model for the bomb atomic memorial for Hiroshima Peace Memorial Park, which was rejected for a variety of reasons. Noguchi took inspirations from Japanese traditional ceramics and maternal symbolisms for his cenotaph. He claimed that the shape of his planned cenotaph was based on Japanese &quot;haniwa&quot;, prehistoric Japanese pottery figurines. The shape and design of the cenotaph also convey some maternal messages, as the underground chamber underneath the cenotaph represent a womb while the legs of cenotaph is roughly shaped like maternal thighs. ]]></dcterms:description>
    <dcterms:creator><![CDATA[野口　勇 (Noguchi Isamu)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 27 (1952)]]></dcterms:date>
    <dcterms:format><![CDATA[N.A]]></dcterms:format>
    <dcterms:type><![CDATA[unrealized model (black granite and concrete intended)]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/106">
    <dcterms:title><![CDATA[Airplane and Girl ]]></dcterms:title>
    <dcterms:subject><![CDATA[飛行機と少女 (Hikōki to shōjo)]]></dcterms:subject>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[1965]]></dcterms:date>
    <dcterms:format><![CDATA[53 x 65.2 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/104">
    <dcterms:title><![CDATA[Pseudo Machine ]]></dcterms:title>
    <dcterms:subject><![CDATA[似而非機械 (Ese kikai)]]></dcterms:subject>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[1971]]></dcterms:date>
    <dcterms:format><![CDATA[162.0×130.0 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/103">
    <dcterms:title><![CDATA[School Excursion]]></dcterms:title>
    <dcterms:subject><![CDATA[遠足 (Ensoku)]]></dcterms:subject>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[1964]]></dcterms:date>
    <dcterms:format><![CDATA[80.5 x 116.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description></rdf:RDF>
