<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/54">
    <dcterms:title><![CDATA[Refugees ]]></dcterms:title>
    <dcterms:subject><![CDATA[流亡图 (Refugees)]]></dcterms:subject>
    <dcterms:description><![CDATA[&quot;Refugees&quot; is a life-sized scroll that portrays the suffering of Chinese denizens during the Sino-Japanese war. It came out near the end of the war in 1943, and is an artistic plea for a ceasefire between China and Japan. One of Jiang&#039;s best skills is showing the pain and desperation in the figures&#039;s faces. ]]></dcterms:description>
    <dcterms:creator><![CDATA[蒋兆和 (Jiang Zhaohe)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 18 (1943)]]></dcterms:date>
    <dcterms:format><![CDATA[200 x 2700 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Ink and Pigments on scroll]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/55">
    <dcterms:title><![CDATA[The Woman at the Butcher&#039;s Shop ]]></dcterms:title>
    <dcterms:subject><![CDATA[肉屋の女 (Nikuya no onna)]]></dcterms:subject>
    <dcterms:creator><![CDATA[山城知佳子 (Yamashiro Chikako)]]></dcterms:creator>
    <dcterms:date><![CDATA[2013]]></dcterms:date>
    <dcterms:format><![CDATA[21 min]]></dcterms:format>
    <dcterms:type><![CDATA[3-channels video projection]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/56">
    <dcterms:title><![CDATA[Japanese national flag ]]></dcterms:title>
    <dcterms:subject><![CDATA[日本国旗 (Japanese national flag)]]></dcterms:subject>
    <dcterms:description><![CDATA[The picture is from Kawada&#039;s book The Map (地図). ]]></dcterms:description>
    <dcterms:creator><![CDATA[川田喜久治 (Kawada Kikuji)]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Getsuyo Sha]]></dcterms:publisher>
    <dcterms:date><![CDATA[1959-65]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/57">
    <dcterms:title><![CDATA[Marriage of hibakushas ]]></dcterms:title>
    <dcterms:subject><![CDATA[被爆者同士の結婚 (Mr. and Mrs. Kotani: Two who have suffered from the bomb)]]></dcterms:subject>
    <dcterms:creator><![CDATA[土門拳 (Domon Ken)]]></dcterms:creator>
    <dcterms:date><![CDATA[1957]]></dcterms:date>
    <dcterms:type><![CDATA[Photograph]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/59">
    <dcterms:title><![CDATA[On the Steps ]]></dcterms:title>
    <dcterms:subject><![CDATA[階段にて ( kaidan-nite)]]></dcterms:subject>
    <dcterms:description><![CDATA[There are many repetitions and multiplications in this painting. Waves are flowing like water that washes away or traps the figures with glasses. Steps and waves are the motifs that Nakamura repeatedly applies.]]></dcterms:description>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:format><![CDATA[90.5 x 181.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[oil on plywood]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/60">
    <dcterms:title><![CDATA[Fierce Fighting on Guadalcanal ]]></dcterms:title>
    <dcterms:subject><![CDATA[血戦ガダルカナル (Kessen Gadarukanaru)]]></dcterms:subject>
    <dcterms:description><![CDATA[A painting that depicts the bloody battle between Japanese and American troops during the Guadalcanal campaign. Fujita captures the chaotic and terrifying atmosphere of the battle with the distorted bodies  being nearly indistinguishable from the mud, and the flash of lightning in the background.]]></dcterms:description>
    <dcterms:creator><![CDATA[藤田嗣治 (Fujita Tsuguharu)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 19 (1944)]]></dcterms:date>
    <dcterms:format><![CDATA[ 262 x 265 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/63">
    <dcterms:title><![CDATA[Decoy]]></dcterms:title>
    <dcterms:subject><![CDATA[Decoy]]></dcterms:subject>
    <dcterms:creator><![CDATA[石井茂雄 (Ishii Shigeo)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 36 (1961)]]></dcterms:date>
    <dcterms:format><![CDATA[130.8 X 162.2 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/68">
    <dcterms:title><![CDATA[Sunagawa No.5]]></dcterms:title>
    <dcterms:subject><![CDATA[ 砂川五番 (Sunagawa goban)]]></dcterms:subject>
    <dcterms:description><![CDATA[Here Nakamura depicted the protest against the expansion of the US military base in Tachikawa. The most violent incident during the protest is remembered as Sunagawa Struggle on May 4, 1955, which is the subject of this painting. ]]></dcterms:description>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[1955]]></dcterms:date>
    <dcterms:type><![CDATA[Oil on plywood]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/71">
    <dcterms:title><![CDATA[Attack on Nanyuan, Beijing ]]></dcterms:title>
    <dcterms:subject><![CDATA[南苑攻撃図 (Nan-en Kōgeki-zu)]]></dcterms:subject>
    <dcterms:description><![CDATA[A painting by Miyamoto depicting the Japanese attack on Beijing during World War 2. The pose of the soldier raising his rifle and flag is modeled after Lady Liberty in Eugene Delacroix&#039;s 1830 painting &quot;Liberty Leading the People&quot;, demonstrating how Miyamoto adapted body languages from Western art to celebrate Imperial Japan&#039;s glory]]></dcterms:description>
    <dcterms:creator><![CDATA[宮本三郎 (Miyamoto Saburō)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 16 (1941)]]></dcterms:date>
    <dcterms:format><![CDATA[176.7 x 255 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/72">
    <dcterms:title><![CDATA[Captives]]></dcterms:title>
    <dcterms:subject><![CDATA[捕虜 (Horyo)]]></dcterms:subject>
    <dcterms:description><![CDATA[Sketches of Australian Prisoners-of-War by Miyamoto Saburo when he visited Singapore during World War 2. Even though Miyamoto is aware that these Westerners are Japan&#039;s enemies, he still admired the physical characteristics of these caucasian men. He proudly highlights the muscular upper torso and robust physiques of these men, even though they are prisoners]]></dcterms:description>
    <dcterms:creator><![CDATA[宮本三郎 (Miyamoto Saburō)]]></dcterms:creator>
    <dcterms:format><![CDATA[43.5 x 27.8 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Pencil, crayon, and watercolors on paper]]></dcterms:type>
</rdf:Description></rdf:RDF>