<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/124">
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/87">
    <dcterms:title><![CDATA[Water: In the Mountain When Crossing Renzankan ]]></dcterms:title>
    <dcterms:subject><![CDATA[水  連山関を越える山中にて (Mizu Renzankan wo koeru sancyū nite)]]></dcterms:subject>
    <dcterms:description><![CDATA[Part of the &quot;祖国への旅&quot; series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2]]></dcterms:description>
    <dcterms:creator><![CDATA[北岡文雄 (Kitaoka Fumio)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 22 (1947)]]></dcterms:date>
    <dcterms:format><![CDATA[27.5 x 19.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Woodblock Print]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/85">
    <dcterms:title><![CDATA[Washing Legs: At the Hōten Internment Camp ]]></dcterms:title>
    <dcterms:subject><![CDATA[足を洗う　奉天收容所にて (Ashi wo arau   Hōten Shyūyōjo nite)]]></dcterms:subject>
    <dcterms:description><![CDATA[Part of the &quot;祖国への旅&quot; series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2]]></dcterms:description>
    <dcterms:creator><![CDATA[北岡文雄 (Kitaoka Fumio)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 22 (1947)]]></dcterms:date>
    <dcterms:format><![CDATA[27.5 x 19.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Woodblock Print]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/29">
    <dcterms:title><![CDATA[War Defeat Group ]]></dcterms:title>
    <dcterms:subject><![CDATA[敗戦群像 (Haisen Gunzō)]]></dcterms:subject>
    <dcterms:description><![CDATA[A surrealist painting that depicts the artist&#039;s sentiment towards the defeat of Japan following the second world war. In the foreground, we see a heap of human bodies stacked up in a rough pyramid shape in front of a barren desolate landscape. Despite the gloom appearance, there are subtle visual clues that conveys Fukuzawa&#039;s hope for Japan&#039;s revival. For example, rather than being in a state of decay, the cadavers appear muscular and robust, as if they still possess the potential to lift themselves up. ]]></dcterms:description>
    <dcterms:creator><![CDATA[福沢一郎 (Fukuzawa Ichirō)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 24 (1949)]]></dcterms:date>
    <dcterms:format><![CDATA[193.9 x 259.1 cｍ]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/93">
    <dcterms:title><![CDATA[Traveler at Rest ]]></dcterms:title>
    <dcterms:subject><![CDATA[木陰の休息 (Kokage no Kyūsoku)]]></dcterms:subject>
    <dcterms:description><![CDATA[Part of the &quot;祖国への旅&quot; series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2]]></dcterms:description>
    <dcterms:creator><![CDATA[北岡文雄 (Kitaoka Fumio)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 22 (1947)]]></dcterms:date>
    <dcterms:format><![CDATA[13.9 X 18.6cm]]></dcterms:format>
    <dcterms:type><![CDATA[Woodblock Print]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/55">
    <dcterms:title><![CDATA[The Woman at the Butcher&#039;s Shop ]]></dcterms:title>
    <dcterms:subject><![CDATA[肉屋の女 (Nikuya no onna)]]></dcterms:subject>
    <dcterms:creator><![CDATA[山城知佳子 (Yamashiro Chikako)]]></dcterms:creator>
    <dcterms:date><![CDATA[2013]]></dcterms:date>
    <dcterms:format><![CDATA[21 min]]></dcterms:format>
    <dcterms:type><![CDATA[3-channels video projection]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/81">
    <dcterms:title><![CDATA[The Battle of Okinawa ]]></dcterms:title>
    <dcterms:subject><![CDATA[沖縄戦の図 (Okinawa-sen no Zu)]]></dcterms:subject>
    <dcterms:creator><![CDATA[丸木位里 (Maruki Iri) and 赤松俊子 (Akamatsu Toshiko)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 59 (1984)]]></dcterms:date>
    <dcterms:type><![CDATA[Screen-painting, Pigments on Silk]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/90">
    <dcterms:title><![CDATA[The Base ]]></dcterms:title>
    <dcterms:subject><![CDATA[基地 (Kichi)]]></dcterms:subject>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[Showa 32 (1957)]]></dcterms:date>
    <dcterms:format><![CDATA[92.0 × 175.0 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Plywood]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/68">
    <dcterms:title><![CDATA[Sunagawa No.5]]></dcterms:title>
    <dcterms:subject><![CDATA[ 砂川五番 (Sunagawa goban)]]></dcterms:subject>
    <dcterms:description><![CDATA[Here Nakamura depicted the protest against the expansion of the US military base in Tachikawa. The most violent incident during the protest is remembered as Sunagawa Struggle on May 4, 1955, which is the subject of this painting. ]]></dcterms:description>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[1955]]></dcterms:date>
    <dcterms:type><![CDATA[Oil on plywood]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/36">
    <dcterms:title><![CDATA[Summer Evening at Lakeside ]]></dcterms:title>
    <dcterms:subject><![CDATA[池畔納涼 (Chihan Nōryō)]]></dcterms:subject>
    <dcterms:description><![CDATA[A painting showing two women clad in kimono enjoying <br />
a cool evening by the lakeside. Back then, paintings showing Japanese women in kimono were popular and touted as an exemplar of Japanese feminine beauty. ]]></dcterms:description>
    <dcterms:creator><![CDATA[藤島武二 (Fujishima Takeji)]]></dcterms:creator>
    <dcterms:date><![CDATA[Meiji 30 (1897)]]></dcterms:date>
    <dcterms:format><![CDATA[152.0 × 194.4 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description></rdf:RDF>