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                <text>This sculpture is a memorial to all the child victims of the atomic bomb and also a specific commemoration to the story of Sadako Sasaki.&#13;
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Sadako Sasaki was a 2 year old girl living in Nagasaki when the atomic bomb dropped on the city, and she suffered from radiation poisoning. Before her death at the age of 12, she attempted to fold 1000 paper cranes due to a popular Japanese legend that doing so will grant one wish and bring good fortune. She died before she can finish 1000 cranes and her story became one of the most well-known tragic tale associated with the atomic bomb. Today, people still leave paper cranes in front of the monument</text>
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                <text>原爆の子の像 (Genbaku no Ko no Zō)</text>
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                <text>A bronze statue of Field Marshal Yamagata Aritomo by Kitamura Seibō, unveiled near the Imperial Diet Building in 1929. Today, it was moved to Hagi in Yamaguchi prefecture due to its controversial imperialist connotations. </text>
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                <text>Serving as the centerpiece of Nagasaki Peace Memorial Park, this 13-meter tall bronze statue by Seibo Kitamura has various symbolism in its gestures. The right hand pointing toward the sky represent the threat of nuclear weapons coming from the sky. The left hand outstretched horizontally represent peace across the whole world. Additionally, the serene looking face with closed-eyes is a representation of a prayer to the lives lost in the Nagasaki bombing. &#13;
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                <text>Height: 13 meters</text>
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                <text>Out of the multiple design proposals for Hiroshima Peace Memorial Park, it was Kenzō Tange's design that is chosen in the end. Tange's architecture plans is a mixture of modernist design and Japanese tradition. For example, the cenotaph in front of the exhibition hall is based on prehistoric Japanese "haniwa" ceramics. This turn towards traditions is a continuation of the wartime "tradition debate" in Japanese architecture, where architects debate on ways to implement traditional Japanese architectural characteristics in modern buildings as a celebration of Japanese imperialism. By the postwar period, architects began to look toward the more distant prehistoric past of Japan for inspiration as a justification of implementing Japanese conventions without the imperialistic implications.&#13;
&#13;
The exhibition hall, on the other hand, utilizes modern designs and shows great influence from famous architect Corbusier</text>
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                <text>Noguchi's planned model for the bomb atomic memorial for Hiroshima Peace Memorial Park, which was rejected for a variety of reasons. Noguchi took inspirations from Japanese traditional ceramics and maternal symbolisms for his cenotaph. He claimed that the shape of his planned cenotaph was based on Japanese "haniwa", prehistoric Japanese pottery figurines. The shape and design of the cenotaph also convey some maternal messages, as the underground chamber underneath the cenotaph represent a womb while the legs of cenotaph is roughly shaped like maternal thighs. </text>
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