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                  <text>Weeks 2-5: Art, Empire and War (1930-1945) </text>
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                <text>Capturing a View</text>
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                <text> 取景 </text>
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                <text>This painting was completed one year after Japan has started its full-scale invasion against China. Despite the innocuous looking image of a girl with a camera, the painting has subtle nationalistic messages. The camera conveys a message about Japan's modernity and a colonizer's gaze.</text>
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                <text>林之助 (Lin Chih-Chu)</text>
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                <text>Shōwa 13 (1938)</text>
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                <text>Pigment on Paper</text>
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                <text>This sculpture is a memorial to all the child victims of the atomic bomb and also a specific commemoration to the story of Sadako Sasaki.&#13;
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                <text>原爆の子の像 (Genbaku no Ko no Zō)</text>
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                <text>石炭置き場 (Sekitan okiba)</text>
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                <text>中村宏 (Nakamura Hiroshi)</text>
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                <text>Shōwa  30 (1955)</text>
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                <text>By contrasting images of Japanese mothers and Korean comfort women, Shimada visualizes the imperialist hierarchy.</text>
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                <text>嶋田美子 (Shimada Yoshiko)</text>
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        <name>Shimada Yoshiko</name>
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                <text>Part of the "祖国への旅" series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2&#13;
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                <text>血戦ガダルカナル (Kessen Gadarukanaru)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A painting that depicts the bloody battle between Japanese and American troops during the Guadalcanal campaign. Fujita captures the chaotic and terrifying atmosphere of the battle with the distorted bodies  being nearly indistinguishable from the mud, and the flash of lightning in the background.</text>
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                <text>藤田嗣治 (Fujita Tsuguharu)</text>
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                <text>Shōwa 19 (1944)</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text> 262 x 265 cm</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Oil on Canvas</text>
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        <name>Fujita Tsuguharu</name>
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        <name>Yōga</name>
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        <src>https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/2e3e37eb7ccb0027f23054b28897a6a0.jpg</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Weeks 2-5: Art, Empire and War (1930-1945) </text>
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    <elementSetContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Forbidden City </text>
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            <description>The topic of the resource</description>
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                <text>紫禁城 (Shikinjō)</text>
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            <description>An account of the resource</description>
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                <text>A painting of the famous Forbidden City in Beijing, China. Umehara Ryuzaburō is intrigued by Chinese culture and history during his time living in Beijing. He even rented an apartment right next to the Forbidden City so he can get a good view. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>梅原龍三郎 (Umehara Ryūzaburō)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1940 (Shōwa 15)</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>112 x 150 cm</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Oil on Canvas</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Weeks 2-5: Art, Empire and War (1930-1945) </text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="267">
                <text>Good Day </text>
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                <text>好日</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The artist painted his own wife and daughter in this painting. It conveys the ideological theme of "good wife, wise mother (良妻賢母, Ryōsai Kenbo), which was propagated across Japan and its colonies from the 19th to 20th century. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>林之助 (Lin Chih-Chu)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Shōwa 18 (1943)</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>165 x 135 cm</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Pigments on Paper</text>
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        <name>Lin Chih-Chu</name>
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        <name>Nihonga</name>
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        <src>https://www.empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/d4245b3826c61acaba9a93d820a0f0d0.jpg</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Weeks 11-13: Art in the Postwar (1952-1970, and beyond) </text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gunned Down</text>
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            <description>The topic of the resource</description>
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                <text> 射殺 (Shasatsu)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Nakamura's comment on the Girard Incident, a shooting of a middle-aged mother in a firing range by an off-duty U.S. guard.</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="576">
                <text>中村 宏 (Nakamura Hiroshi)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1957</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>73 × 91 cm</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="594">
                <text>Oil on Canvas</text>
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