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                <text>The artist painted his own wife and daughter in this painting. It conveys the ideological theme of "good wife, wise mother (良妻賢母, Ryōsai Kenbo), which was propagated across Japan and its colonies from the 19th to 20th century. </text>
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                <text>林之助 (Lin Chih-Chu)</text>
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                <text>Shōwa 18 (1943)</text>
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                <text>A depiction of Lin's future wife in a Kimono next to two goats, in front of a wall of morning glories. This work was accepted by the Shin Bunten exhibition.</text>
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                <text>The image consists of photos of a military brothel, prostitutes, and a person in underwear tinted with red. The artist raises the awareness to the tabooed issue of Japanese history to question the system of exploitation.</text>
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                <text>嶋田美子 (Shimada Yoshiko)</text>
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        <name>Shimada Yoshiko</name>
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                <text>Bottle melted and Deformed by Atomic Bomb Heat, Radiation and Fire, Nagasaki </text>
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                <text> 取景 </text>
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                <text>This painting was completed one year after Japan has started its full-scale invasion against China. Despite the innocuous looking image of a girl with a camera, the painting has subtle nationalistic messages. The camera conveys a message about Japan's modernity and a colonizer's gaze.</text>
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                <text>林之助 (Lin Chih-Chu)</text>
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                <text>Miyuki Bridge, shortly after 11:00 am, 6 August 1945</text>
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