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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Weeks 6-10: Art and the Allied Occupation (1945-1952) </text>
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      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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        <element elementId="49">
          <name>Subject</name>
          <description>The topic of the resource</description>
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            <elementText elementTextId="512">
              <text>「氷島」の著者（萩原朔太郎像）(「Hyōtō」no Chosha: Hagiwara Sakutarō zou)</text>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Portrait of Sakutarō Hagiwara </text>
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        <element elementId="40">
          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <elementText elementTextId="514">
              <text>Shōwa 18 (1943)</text>
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        <element elementId="42">
          <name>Format</name>
          <description>The file format, physical medium, or dimensions of the resource</description>
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            <elementText elementTextId="515">
              <text>56.2 x 43.8 cm</text>
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        <element elementId="51">
          <name>Type</name>
          <description>The nature or genre of the resource</description>
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            <elementText elementTextId="516">
              <text>Color Woodcut</text>
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          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
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              <text>Onchi Kōshirō (恩地孝四郎)</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>This print is dedicated to Onchi's friend of 20 years, famous modern Japanese poet Hagiwara Sakutarō. It was created one year after Hagiwara's death in 1942. In this print, Onchi illuminates the life-long hard work and anguish that Hagiwara endured through the wrinkles on his face and his solemn expression. Today, it's seen as one of the finest exemplars of the "Sōsaku Hanga" (Creative Print) movement in Japan</text>
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      <name>Onchi Kōshirō</name>
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